![]() In the middle, the Lift-Off button engages a multi-effect to glue the signal together. Clicking the Sync button locks the sidechain to a one-fourth beat. At the bottom, the Ducker uses the original signal to sidechain the effect, preventing wash out. In the centre is the Mixer, with an X-Y joystick control to mix between delay and reverb as well as wet and dry. Finally, Width switches between mono and stereo. Mellow is a high- and lowpass filter, while Clean-Up decreases reverb density for a cleaner sound. Next is Stardust, which adds highs to the reverb. First is the Pre-Delay, useful for vocals or drums. The Program buttons at the top select reverb type, from ambience-like short bursts to cosmic explosions.Īcross the bottom, there are a number of additional controls. It’s dominated by an old-fashioned submarine RADAR-like scope, which allows you to choose between four reverb/modulation algorithms and set modulation intensity plus reverb length. A 12 V source, a trigger wire, and 2 ground wires. The new pulses don't need to be perfectly square, as the new coils don't really care about that. On the far right is the Space engine, which handles reverb. Take a 5V square wave signal that varies from about 3.3 ms to 2.2 ms, and extend the falling edge of it about 1.7 ms or, make each of these pulses a flat 4-5 ms pulse. You can reverse the delay and filter both lows and highs. There’s also Texture, an array of four buttons for adding colour to the effect. Next is Dimension, which adds stereo width. At the moment, TAL offer 3 different free delays, Dub I, Dub II and Dub III. TAL are an awesome plugins company, offering anything from free delays and effects, to easy to use high quality emulations of classic studio synthesizers. It’s actually a dual control, covering both Sustain (how loud in volume the later steps are compared to the earlier ones) and Feedback. Compatibility: Windows, Mac, AU, VST, 64-bit (Windows only), 32-bit. ![]() The Mode control at the top determines the timing, with Straight, 2X, Dotted, and Triplet selections.īelow the grid are a number of controls for fine-tuning the delay. Delays can be either full strength, half strength, or off. The grid is a 16-step sequencer that allows you to program where the delays will land. Let’s look at the delay section, also known as the Echoes engine, first.
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